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Greek

Scylla

Name in Non-English, or Alternative Name/s

(Σκύλλα)

Also known as, and/or Titles and Roles

Skylla, "The Render," "The Six-Headed Devourer"

The Greek monster Scylla from mythology

Mythopouch artistic interpretation

Details

Region

Greek

Regional Information Additional (if applicable)

Token mark for Greek monster Scylla, coin with six Head Hydra

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Category

Creature/Monster/Animal

Historicity (actuality or factual truth of persons, events, and claims)

Mythological

Gender

Female

Time Period

Archaic Greek mythology (8th century BCE onward); localized in the Strait of Messina by the Classical period

Symbol

Six Head Hydra

Tags

greek, monster, sea, six-heads, strait-of-messina

Introduction - Overview

Scylla is the six-headed sea monster who lurks in a cave on the Italian side of the Strait of Messina, snatching sailors from passing ships with jaws that close like traps. She is the creature with twelve dangling feet and six long necks, each topped with a ravenous head lined with three rows of sharp teeth, whose voice sounds like the yelping of hounds. She is the beautiful nymph who was transformed into a monster by the jealous sorceress Circe, the goddess of magic and transformation who turned men into beasts, because the sea god Glaucus loved her instead of Circe. She is the nightmare that forces every captain to choose between her rocks and the whirlpool Charybdis, the monster who swallows water three times a day and spits it out again in a deadly vortex. And she is the origin of the phrase between Scylla and Charybdis, the impossible choice between two evils that has haunted decision-makers for three thousand years.

Gallery

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Main Article - Who or What was...

Scylla

Scylla was born to Crataeis, the goddess of sea dangers whose name means mighty or rocky, and perhaps to Phorkys, the ancient god of the deep sea who fathered many monsters. Some say her mother was Hecate, the goddess of witchcraft and crossroads who carries twin torches and walks between the worlds of the living and the dead. Others claim she was the daughter of Lamia, the child-devouring monster, or even of Typhon and Echidna, the most terrible monsters in all Greek mythology, whose offspring included the Hydra and the Chimera. Whatever her parentage, Scylla was a creature of the sea from birth, dwelling in a cavernous lair on the Italian mainland side of the narrow strait that separates Sicily from the toe of Italy. The Greeks called the strait the Pillars of the Sea, and they knew that any ship passing through must run the gauntlet between two terrors. On the Sicilian side lay Charybdis, the whirlpool that swallowed and vomited the sea three times a day. On the Italian side lay Scylla, who never slept and never stopped hungering.


The most famous encounter with Scylla comes in Homer's Odyssey, the epic poem that tells of the hero Odysseus and his ten-year voyage home from the Trojan War. After escaping the island of the witch Circe, the goddess of magic who had turned his men into pigs and then restored them, Odysseus received a warning. Circe told him that he must pass through the strait, and she gave him a terrible choice. Sail close to Charybdis, and the whirlpool might swallow the entire ship and all its crew. Sail close to Scylla, and she would snatch six men from the deck, but the rest would survive. Circe advised him to sail nearer to Scylla, to accept the loss of six rather than risk the loss of all. She also told him to invoke Scylla's mother, Crataeis, to prevent the monster from striking more than once. Odysseus, following this counsel, ordered his men to row hard and not to look up at the cliffs. But when they were distracted by the churning of Charybdis on the other side, Scylla struck. Six heads darted out from her cave, each on a long snaky neck, and seized six of Odysseus's best men from the deck. The poet describes them writhing and screaming, their arms reaching toward their companions in a last desperate appeal, as Scylla dragged them to her cave and devoured them alive at the entrance. Odysseus could only watch, frozen by horror, as his men were eaten in a place where no help could reach them.


But Scylla was not always a monster. In the later tradition, most fully told by the Roman poet Ovid in his Metamorphoses, she was once a beautiful nymph who bathed in a sea pool near the rocks of Zancle. The sea god Glaucus, who had once been a mortal fisherman from Boeotia before eating a magic herb that transformed him into a fish-tailed deity, saw Scylla and fell in love with her. He pursued her, declaring his devotion with words that spoke of his transformation and his divine nature, but Scylla fled in terror at his strange appearance. Glaucus, desperate, went to the sorceress Circe and begged for a love potion that would win Scylla's heart. Circe, however, desired Glaucus for herself. When he refused her advances, she turned her jealousy into vengeance. She went to the pool where Scylla bathed and poured a baleful potion into the water. When Scylla entered the pool, her lower body erupted into six dog heads on snaky necks, and her waist was girdled with the baying heads of hounds. She tried to flee from herself, but the dogs followed wherever she went, attached to her own body. In despair, she took refuge in the cave beneath the fortress of Scylla in Calabria, where she remained, devouring any sailors who came within reach, a beautiful face above and a monstrous body below.


Another version of her transformation comes from the Byzantine writer John Tzetzes and the commentator Servius, who recorded that Scylla was beloved by Poseidon, the god of the sea who ruled the oceans with his three-pronged trident. Amphitrite, Poseidon's wife and queen of the sea, was consumed with jealousy. She poisoned the spring where Scylla bathed, and the nymph was transformed into the six-headed monster. In yet another tale, recorded by the mythographer Hyginus, Scylla was simply a beautiful maiden who attracted the attention of many suitors, and Circe poisoned her out of spite. Whatever the cause, the result was the same: a creature that was half woman and half ravening beast, forever hungry and forever alone in her cave. Some stories say that Heracles, the hero forced to complete twelve impossible labors, encountered Scylla during his journey and killed her, but her father Phorkys restored her to life with flaming torches. This death and rebirth only added to her terror, for it meant she could not be killed, only endured.


In later ages, Scylla became more than a monster. She became a symbol of the impossible choice, the danger that cannot be avoided without running into another. The phrase between Scylla and Charybdis entered the languages of the world, evolving into between a rock and a hard place in English, though the original image is more vivid: two monsters so close that an arrow shot from one side could reach the other. The strait itself became a real place, the Strait of Messina, where sailors for centuries reported strange currents and jagged rocks that could tear a ship apart. The town of Scilla in Calabria still stands above the cave where she was said to dwell, and the rocks beneath the fortress are still called the Scyllaean rocks. In Roman times, Virgil sent Aeneas, the Trojan hero who fled the burning city to found Rome, past her lair on his way to Italy, and the poet warned that it was better to sail far around Sicily than to risk her gaze. The Byzantine encyclopedia Suda described her as having a beautiful face above the eyes, with six dog heads on each side and a serpent body below, a description that mixed beauty and horror in a way that still disturbs. Scylla is the eternal warning that the sea is not empty, that the rocks have teeth, and that every journey requires a sacrifice.

Summary

Scylla stands as the eternal symbol of the inescapable peril, the monster who forces every traveler to choose between two deaths. From her origins as a beautiful nymph to her transformation by Circe's jealousy, from the six men devoured on Odysseus's ship to the phrase that still describes impossible choices, her story is one of beauty destroyed by spite and hunger given eternal form. The Strait of Messina still churns with the currents that created her legend, and every captain who navigates narrow waters knows something of the terror she represents. She is the reminder that some dangers cannot be fought, only survived, and that the price of passage is often paid in blood.

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Related Entries

Crataeis

Deity

Odysseus

Person

Glaucus

Deity

Charybdis

Creature/Monster/Animal

Circe

Deity

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Sources & Retellings

Explore the original mythological Source texts (most from over 75 years ago, some as translated, possibly with mature content) and Mythopouch's source Retellings (a modern retelling also suitable for 15+) connected to this mythological entity. We are growing this resource and will link these in the future; for now, check the References below, then find the Sources or Retellings on those pages!

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References

Validation References:
- Homer, Odyssey, Book 12.73-126, 235-260, translated by A. T. Murray (1919), Loeb Classical Library
- Ovid, Metamorphoses, Book 13.730-14.74, translated by Frank Justus Miller (1916), Loeb Classical Library
- Apollodorus, Bibliotheca, Book E7.20, translated by Sir James George Frazer (1921), Loeb Classical Library
- Hyginus, Fabulae, 125, 151, 199, translated by Mary Grant (1960), University of Kansas Press
- Virgil, Aeneid, Book 3.420-432, translated by H. Rushton Fairclough (1916), Loeb Classical Library
- Lycophron, Alexandra, lines 44-46, 648-650, translated by A. W. Mair (1921), Loeb Classical Library
- Palaephatus, On Unbelievable Tales, 20, translated by Jacob Stern (1996), Bolchazy-Carducci Publishers
- Tzetzes, Chiliades, Book 12.398-405, translated by Ana Untila (2019), Brill Academic Publishers
- Suda Encyclopedia, s.v. Skylla, translated by David Whitehead (2014), Suda On Line Project
- Nonnus, Dionysiaca, Book 42.409, translated by W. H. D. Rouse (1940), Harvard University Press

Cultural Context Notice 

Mythology developed across different cultures, periods and traditions, and there is rarely one universally accepted version of a story. Mythopouch approaches these traditions with respect while remaining faithful to the complexity of the surviving material. Retellings and educational content may interpret or adapt historical sources, but are not presented as definitive accounts of any culture, religion or belief system.

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