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The House Was a Battlefield: Ancient Egyptian Protective Deities

3 days ago
6 min read

Updated: 8 hours ago

Mythopouch ancient Egyptian insight

Also called Tawaret, Taueret, Thoeris. Beset is the female form of Bes. Together, they are the gods most Egyptians actually lived with.


The Mythopouch record on Bes already gives the grin, the lion mane, the front-facing face, the headrests and the knives at Hatshepsut’s birth. This insight is not on that page again. It is about the three of them as a household team, and about why ugliness and hybrid animals were better guards than beauty.


A mother and child sleep under a protective glow while Bes, Beset and Taweret stand guard at the head of the bed in an ancient Egyptian household, with Mythopouch token marks.

Who were the Ancient Egyptian Protective Deities? Bes, Beset and Taweret...

Bes is the short, bandy-legged protector who faces you straight on. Most Egyptian gods are shown in profile. Bes looks out of the object he is carved on, tongue out, feathers on his head, lion mane around his face. He dances, bangs a tambourine, pulls faces and carries knives. His job is to frighten the things that frighten people: snakes, scorpions, nightmares, the spirits that gather when a woman is in labour.


Beset is Bes in a woman’s form. She guards the same thresholds. Egyptian households did not need only a male scarecrow at the door. They needed a doubled presence, one that could stand in the rooms where women and children slept and gave birth.


Taweret is the pregnant hippopotamus. Her body is the most dangerous animals of the Nile turned outward as defence. Hippo head and body, lion legs and paws, crocodile back and tail, human breasts. Her name means something like “the Great One,” a careful way of speaking to a power that could also harm. She often rests one hand on the sa sign, the hieroglyph for protection. Where Bes makes noise and faces, Taweret stands heavy and ready. On the curved ivory magic wands that drew protective circles around a mother in labour, both of them appear. The house became a circle. Inside it, mother and child. Outside it, whatever was trying to get in.


Bes, Beset and Taweret form a protective circle around a sleeping mother and child in an ancient Egyptian bedchamber, with Mythopouch token marks.

What the existing record cannot say in one page

These are not temple gods in the ordinary sense. They have little state priesthood and few grand myths. That is the point. Osiris, Isis and Horus belong to the afterlife and the throne. Bes and Taweret belong to the night, the bed, the birth chamber and the doorway. Most Egyptians never walked into a major temple. They lived with these faces every day, on mirrors, jugs, lamps, headrests and amulets.


The logic is apotropaic. You put something frightening on the threshold so that other frightening things stay away. Bes is ugly on purpose. Taweret is a composite of animals that will kill to protect their young. The Egyptians took the real dangers of the river and the desert and turned them into household soldiers. A hippopotamus defending a calf is already a better guard than a polished statue of a distant god.


Beset is the detail the tidy lists often skip. Protection was not only male. The same grimace, the same lion features, could be carried by a female form for the spaces that were women’s work. The pair, or the trio, covered more ground than Bes alone.


There is also a late, quieter story. In the Metternich Stela, Isis says that Horus was raised by a sow and a dwarf; readers have long assumed that this is Taweret and Bes. Even the child of the gods needed the household pair. State myth still had to borrow the night watch.


The same idea or concept around the world

Egypt was not the only place that put something frightening at the door so that worse things stayed out. The method is old and widespread.


In Bali, communities build large papier-mâché and bamboo statues called Ogoh-Ogoh on the eve of Nyepi, the Day of Silence. These are deliberately monstrous figures of Bhuta Kala. They are paraded through the streets with noise and fire to draw out bad energy, then burned. The fright is temporary and public. It clears the ground before a quieter new year.


Pazuzu stands between a mother and child and the demoness Lamashtu in a Mesopotamian room, with Mythopouch token marks.

In ancient Mesopotamia, the wind demon Pazuzu was carved in bronze and clay and placed in houses. He has bulging eyes, wings, talons and a scorpion tail. His presence was meant to keep away Lamashtu, a demoness who attacked pregnant women and newborns. The logic is almost the same as Bes and Taweret: one dangerous figure is set against another, and the household keeps the stronger one on its side. Pazuzu was not a friendly figure; his wrath was the southwest winds, which caused devastating droughts, famines, sickness, and swarms of locusts.


In China the same threshold rule appears in two forms. Stone guardian lions with bared teeth stand year-round at the entrances of temples, palaces and homes. Menshen, the door gods, are painted or carved with fierce faces and weapons and fixed to the doorway so that malicious spirits cannot step through. At Chinese New Year, the practice becomes public and temporary, closer to the Balinese Ogoh-Ogoh. Firecrackers, lion dances and the refreshing of the door-god images are used to drive out lingering bad spirits before the new year begins. Noise, colour and a controlled fright clear the ground, just as the parade and burning of the Ogoh-Ogoh statues do on the eve of Nyepi. The guardian does not only sit still at the door. Once a year, it is also made loud and visible so the household can start clean.


On the Nicobar Islands, healers called menluana carved wooden figures known as Kareau, or scare-devils. These humanoid and beast-like forms with wide eyes were set in doorways to frighten the Iwi, the restless spirits of the dead believed to bring sickness into the house.


In medieval Europe, gargoyles and grotesques on churches and castles did more than carry rainwater off the walls. Builders carved them as chimeras, demons and beasts high on the stone. The figures embodied the horrors outside so that witches, devils and other malign forces would stay clear of holy ground.


A medieval gargoyle crouches on a cathedral ledge beside a carved wooden guardian set in a doorway, with Mythopouch token marks.

In each case the principle is close to the Egyptian one. The guardian does not have to be beautiful or kind. It has to look strong enough, or ugly enough, that the thing it is meant to stop will not risk the meeting. Bes and Taweret are the Nile version of a much wider habit: put a controlled fright at the edge of the safe space.


Ancient Egyptian protection deities were not the only ones invoked and stationed, inside or out...


What Mythopouch wants you to notice about Ancient Egyptian Protective Deities

Myths here are not only battles between kings and monsters. Bes and Taweret show that the most useful gods can be the ones with no temple and no pretty face. Their power is immediate. They do not wait for the next world. They stand at the head of the bed tonight.


If you were playing after learning, the token is not “charming dwarf.” It is “the house is a battlefield, and the guards are deliberately ugly.” Nothing in that protection is given clean. The circle has to be drawn. The amulet has to be worn. The face has to be kept facing out. The gods of the threshold earn their place by being present when the bigger gods are elsewhere. The same bargain appears in other lands. Fright is hired so that worse fright stays outside.


📝 A Word Worth Learning

Apotropaic (adjective)

Intended to ward off evil, danger or misfortune, often through protective symbols, objects or rituals.

In this article: Bes and Tawaret were represented as frightening guardians because their appearance was believed to repel harmful forces.


View the Mythopouch Records:


Mythopouch Token Mark of Bes, the ancient Egyptian protection god with his scary lion-like face on an Egyptian-style coin.
Token Mark of Bes

Mythopouch Token Mark of Beset, wife of Bes, both ancient Egyptian protection gods with her scary lion-like face on an Egyptian-style coin.
Token Mark of Beset

Mythopouch Token Mark of Taweret, the ancient Egyptian protection goddess with a hippo calf and ankh symbol on an Egyptian-style coin.
Token Mark of Taweret


Sources

  1. Curved ivory magic wands (Middle Kingdom onward), many bearing Bes and the hippopotamus form

  2. Birth scenes in the temple of Hatshepsut at Deir el-Bahri

  3. Metternich Stela (Isis on the rearing of Horus)

  4. Mammisi reliefs at Dendera and Edfu

  5. Headrests, mirrors, cosmetic jars and domestic amulets

  6. Pinch, Geraldine, Egyptian Mythology (2002) on popular and household religion

  7. Wilkinson, Richard, The Complete Gods and Goddesses of Ancient Egypt (2003)

  8. Hornung, Erik, Conceptions of God in Ancient Egypt (1982) on minor and liminal deities

  9. Comparative notes: Ogoh-Ogoh processions (Bali, Nyepi); Pazuzu amulets (Assyria and Babylonia); Chinese guardian lions and Menshen; Nicobarese Kareau figures; medieval European gargoyles and grotesques

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