top of page
Greek

Hippomenes

Name in Non-English, or Alternative Name/s

Ἱππομένης (Hippoménēs), Melanion (Μελανίων)

Pronunciation

hip-OM-uh-neez

Also known as, and/or Titles and Roles

The Apple-Thrower, The Husband of Atalanta, The Lion of Cithaeron, The Swift-Footed Suitor, The Favoured of Aphrodite, The Desecrator of Zeus

Hippomenes, a figure from Greek mythology associated with Atalanta

Mythopouch artistic interpretation

Hippomenes token mark with symbol of three golden apples on Greek style coin

Details

Regional Information Additional (if applicable)

Greek

Region

Category

Person

Historicity (actuality or factual truth of persons, events, and claims)

Legendary

Gender

Male

Time Period

c. 8th century BCE (literary attestation)

Symbol

Three Apples, Sandal & Lion's Mane

Tags

greek, hippomenes, person, atalanta, golden-apples, aphrodite, footrace, cithaeron, parthenopaeus, transformation

Introduction - Overview

Hippomenes is the swift-footed suitor who won Atalanta, the fastest woman in Greece, by throwing golden apples across a racecourse and claiming her for his bride while she stooped to pick them up. He is the son of Megareus, the king of Onchestus in Boeotia, and the young man who dared to compete against a huntress who had already killed every other suitor who tried to outrun her. He is the favourite of Aphrodite, the goddess of love, who gave him three golden apples from the garden of the Hesperides, the nymphs who tended the tree of golden fruit at the western edge of the world. He is the husband who could not keep his prize, who made love to his wife in a temple of Zeus and was punished by being transformed into a lion, the king of beasts, losing his human mind and his human voice forever. And he is the proof that in Greek mythology, winning the prize is never the end of the story, and that the gods who help you claim a wife will not protect you from your own lack of self-control.

Gallery

Main Article - Who or What was...

Hippomenes

Hippomenes was born in Onchestus, a city in Boeotia in central Greece, the son of Megareus, the king of that city, and his queen. In some accounts his father is called Onchestus, the eponymous hero of the city, or Amphidamas, a Boeotian nobleman. Whatever his exact parentage, Hippomenes grew up in a land famous for its horses and its speed, and he was himself a runner of exceptional talent, though he was not arrogant enough to believe that talent alone could match the woman he desired. The woman was Atalanta, the daughter of Schoeneus, the king of Arcadia, or in some versions of Iasus, the king of the same region. Atalanta had been exposed on a mountainside as an infant because her father wanted a son, and she had been raised by a she-bear and trained by Artemis, the virgin goddess of the hunt, to become the most skilled huntress and the fastest runner in all Greece. She had sailed with the Argonauts, the crew of the ship Argo who sought the Golden Fleece, and she had wounded the Calydonian Boar, the monstrous creature sent by Artemis to ravage Calydon. When she came of age, her father demanded that she marry, and she agreed on one condition: any suitor who wished to wed her must first defeat her in a footrace. Those who lost would die by her hand.

 

Many men had tried. Princes from across Greece came to Arcadia to race the maiden, drawn by her beauty and her fame, and every one of them lost. Atalanta ran like the wind, her feet barely touching the ground, and when she passed her suitors she turned and killed them with a spear or a sword, leaving their bodies on the plain as a warning to the next fool who thought love could outrun death. Eighteen or twenty or thirty men died in this way, the numbers varying with the teller, and the pile of corpses grew so large that the racecourse itself became a graveyard. Hippomenes watched the races from the crowd, and he fell in love with Atalanta not merely for her beauty but for her terrible freedom, the absolute autonomy that no other woman in Greece possessed. He decided to compete, though he knew he could not outrun her.

 

Before the race, Hippomenes prayed to Aphrodite, the goddess of love, whose power was older than Artemis's and more cunning than Athena's. He asked for her help, and the goddess, who loved nothing more than to unite lovers who seemed impossible to match, gave him three golden apples from the garden of the Hesperides, the nymphs of the western evening who tended the tree of golden fruit that Gaia, the earth-goddess, had given to Hera as a wedding gift. The apples were divine, heavier than they looked, and their radiance was so beautiful that anyone who saw them would desire to possess them. Aphrodite instructed Hippomenes to drop the apples one by one during the race, and Atalanta's desire for the golden fruit would slow her down enough for him to reach the finish line first.

 

The race began. Atalanta and Hippomenes stood at the starting line, the suitors stripped to their racing tunics, the maiden in her hunting dress, and the crowd held its breath. Atalanta let Hippomenes take the lead, as she always did with her suitors, enjoying the moment when she would overtake them and strike them down. But when she drew near, Hippomenes rolled the first golden apple across her path. Atalanta saw it, and her desire for the beautiful thing overcame her competitive focus. She veered from the track, picked up the apple, and resumed the race, but Hippomenes had gained precious ground. She overtook him again, and he threw the second apple, wider this time, forcing her to run further off course. She retrieved it, cursing her own weakness, but now Hippomenes was near the finish line. She sprinted to catch him, her divine speed closing the gap, but he hurled the third apple directly into the crowd, and Atalanta, unable to resist, plunged after it while Hippomenes crossed the finish line and won her hand.

 

They married and had a son, Parthenopaeus, who grew up to be one of the Seven Against Thebes, the champions who attacked the cursed city in the generation before the Trojan War. But the marriage did not last in human form. Hippomenes had won Atalanta through the help of a goddess, and he had failed to thank Aphrodite with sacrifices after his victory, a neglect that the goddess never forgave. She filled him with an uncontrollable desire to make love to his wife in a place of worship, and one day, as they travelled through Boeotia, they entered a temple of Zeus on Mount Cithaeron, or in some accounts a shrine of Cybele, the mother goddess of Asia Minor, and there they lay together on the sacred ground. The god was enraged by this desecration, and he transformed both of them into lions, the beasts that the Greeks believed did not mate with one another but only with leopards, a biological impossibility that made their union forever impossible. They lost their human minds, their human speech, and their human love, and they wandered the mountains of Boeotia as beasts until they died or were killed by hunters.

Summary

Hippomenes endures as the cleverest suitor in Greek mythology, the young man who won the fastest woman in Greece not by speed but by cunning and the golden gifts of Aphrodite. From the racecourse graveyard of Arcadia to the temple on Mount Cithaeron where he lost his humanity, his story is one of victory that becomes its own punishment, of a prize claimed by trickery and lost by ingratitude. A detail worth remembering: the Greeks believed that lions did not mate with lions, and by turning Hippomenes and Atalanta into two lions, Zeus ensured that the lovers who had won each other by cunning would never touch each other again, the most terrible punishment of all.

Now enter the Mythopouch World!
You’ve discovered:

Hippomenes

From Myth to Game
Join to access FREE real-world mythology "Learn Quests" and "Courses". Sign up to the newsletter for new releases, game updates, insider news, and more as Mythopouch brings real mythology to life. EARN the right to purchase an offline board game by completing FREE modules.
JOIN THE NEWSLETTER!
It's FREE to join as a MEMBER!

Not ready to join? Get the newsletter instead below

Related Entries

Hesperides

Group

Aphrodite

Deity

Atalanta

Person

Zeus

Deity

Looking for others?

Click into the field below to search, or click the icon to go to full page search function!

Mythopouch search icon

References

Validation References:

- Ovid, Metamorphoses, Book 10.560-707 (c. 8 CE) - primary narrative of the footrace, golden apples, and transformation into lions
- Apollodorus, Bibliotheca 3.9.2 (1st-2nd century CE) - Hippomenes's parentage, the race, and the lion transformation
- Hyginus, Fabulae 185 (c. 2nd century CE) - the footrace and the apples of the Hesperides
- Pausanias, Description of Greece, Book 8.35.10, 9.1.1 (c. 150 CE) - local Arcadian and Boeotian traditions of Hippomenes and Atalanta
- Hesiod, Theogony, lines 215-216 (c. 700 BCE) - the Hesperides and the golden apples in the earliest Greek source
- Aeschylus, Seven Against Thebes, lines 532-536 (c. 467 BCE) - Parthenopaeus as son of Atalanta and one of the Seven
- Timothy Gantz, Early Greek Myth: A Guide to Literary and Artistic Sources (Johns Hopkins University Press, 1993) - comprehensive analysis of the Hippomenes and Atalanta tradition
- Judith Mossman, "Hippomenes and Atalanta: The Race and Its Aftermath" in Ovid's Metamorphoses: A Reader's Guide (Continuum, 2005) - scholarly study of the Ovidian narrative and its sources

--- End of Record ---

Unlock the Mysteries of World Myths

Mythopouch is a world mythology learning platform. Learners explore the stories, characters, and histories of different civilisations - from Ancient Greece and Egypt to Arthurian legend and beyond - through reading, thinking, hands-on trials and creative activities.

Each module presents mythology as it appears in the historical and cultural sources of that region, without applying modern political, social, or religious commentary. The aim is to help learners understand each civilisation's stories on their own terms. This understanding enables them to play the characters in the board game more intricately and become better storytellers.

We do not teach comparative religion, contemporary social studies, or modern value systems. We teach the wisdom of myths, the history, and the creative skills to engage with them.

Learn - Earn - Play | Nothing is given, everything is earned.

Contact

info@mythopouch.com
 

AUSTRALIA

Navigation

COMING SOON

Follow Us On

© 2026 Mythopouch. All rights reserved. Mythopouch™ is a trademark of Mythopouch.
ABN 52 703 751 743 - Registered TM No. 2658691 Australia & International

Terms & Conditions | Privacy Policy | Website Terms of Use | Shipping Policy | Refund Policy | Trademark | Sources & Interpretation Disclaimer |

bottom of page