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Greek

Pleiades

Name in Non-English, or Alternative Name/s

Πλειάδες (Pleiades)

Pronunciation

PLEE-uh-deez

Also known as, and/or Titles and Roles

The Seven Sisters, The Atlantides, The Dodonides, The Peleiades, The Star-Maidens, The Lost Ones

Pleiades, a group from Greek mythology associated with Orion

Mythopouch artistic interpretation

Details

Region

Greek

Regional Information Additional (if applicable)

Pleiades token mark with symbol of cluster of seven stars on Greek style coin

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Category

Group

Historicity (actuality or factual truth of persons, events, and claims)

Mythological

Gender

Female

Time Period

8th-7th century BCE (earliest references in Hesiod)

Symbol

Seven Stars

Tags

greek, stars, orion, atlas, seven-sisters, navigation, seasons, merope

Introduction - Overview

The Pleiades are the seven star-sisters who shine from the shoulder of Taurus, the celestial Bull, transformed into fire to escape a hunter's lust. They are the daughters of Atlas, the Titan condemned to hold up the heavens, and Pleione, one of the three thousand Oceanid nymphs who were daughters of the Titan Oceanus and the goddess Tethys. They are the mothers of gods and kings, including Hermes, the messenger god born to Maia in a cave on Mount Cyllene, and Dardanus, the founder of Troy born to Electra. They are the maidens who fled from Orion, the giant hunter whose stride measured the earth, until Zeus, the king of the gods who rules from the high throne, took pity and set them among the stars. They are the six bright lights and one dim spark, for Merope hides her face in shame at having married a mortal man while her sisters married gods. And they are the cluster that sailors watch to mark the seasons, that farmers follow to plough and to reap, and that still bears the name of seven ancient sisters in every language under the sun.

Gallery

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Main Article - Who or What was...

Pleiades

The Pleiades were born to Atlas, the Titan who stood at the western edge of the world holding up the broad sky upon his shoulders, and Pleione, one of the three thousand Oceanid nymphs who were daughters of the Titan Oceanus and the goddess Tethys. They were seven sisters: Maia, Electra, Taygete, Alcyone, Celaeno, Sterope, and Merope. Maia would become the mother of Hermes, the messenger god, in a cave on Mount Cyllene. Electra bore Dardanus, the founder of Troy. Taygete bore Lacedaemon, the eponym of Sparta. Sterope bore Oenomaus, the king of Pisa. And Merope, the youngest, married Sisyphus, the king of Corinth who was so cunning that he twice tricked Death himself and was condemned to roll a boulder up a hill in Tartarus for eternity. They grew up in the shadow of their father's eternal labour, roaming the mountains and valleys of Arcadia and Boeotia, companions to Artemis, the virgin huntress who protects young maidens and drives her golden chariot across the wild hills.

 

The defining crisis of their lives came in the form of Orion, a giant hunter of such stature that he could wade through the deepest seas with only his head above the waves. Orion saw the seven sisters walking through the woods of Boeotia and desired them, pursuing them across hill and valley for five long years. Some say he was driven mad by lust, others that he simply would not accept refusal. The sisters fled before him, running until their feet bled and their lungs burned, but the giant's stride was longer than a mountain and he gained upon them with every step. They ran through Arcadia and over the peaks of the Taurus Mountains, begging the gods for deliverance from a hunter who would not tire and would not relent. Their cries reached Olympus, and Zeus answered.

 

Zeus took pity on the seven maidens and transformed them into doves, the sacred birds of the gods, so that they might fly beyond Orion's reach. They soared into the heavens, but even there the giant pursued them, stretching up his great arms toward the stars. In final mercy, Zeus changed them again, this time into stars, and fixed them in the constellation of the Bull where they shine still as a tight cluster of seven lights. Yet even in the sky Orion follows them, for the same heavens that hold the Pleiades also hold his figure nearby, eternally chasing but never catching the sisters he desired. The transformation was not without sorrow, for they left behind their mortal lives and their children, and the heavens are cold compared to the green valleys of Arcadia.

 

Not all the sisters accepted their stellar fate with equal grace. Merope, the youngest, had married Sisyphus, the king of Corinth. Because she had chosen a mortal husband while her sisters had lain with gods, Merope shines more dimly than the others, and the Greeks called her the Lost Pleiad. Some said she hid her face in shame at her husband's crimes, others that she simply grieved for him still. Electra, another sister, was said to have veiled her star in mourning when Troy fell, for her son Dardanus had founded the city and its destruction broke her heart. The tears of the Pleiades were said to fall as rain upon the earth, and the rising of the cluster before dawn marked the beginning of the sailing season in the Mediterranean, while their setting warned of winter storms.

 

For three thousand years, farmers and sailors have watched the Pleiades rise and set to mark the turning of the year. Ancient Greek poets wrote that the cluster set in autumn and rose in spring, and that the forty days and nights of their absence were the time to sharpen ploughs and prepare seed. The cluster appears on ancient Greek coins, in Babylonian star-lists, and in the earliest Chinese astronomical records. The Japanese car company Subaru takes its name and six-star logo from them, though the logo shows only six because tradition holds that one sister is always hidden. The cluster itself contains hundreds of stars, but only six or seven are visible to the naked eye, and every culture from the Maya to the Maori has told stories of lost sisters and celestial maidens who shine together in the shoulder of the Bull.

Summary

The Pleiades endure as the most famous star-cluster in human history, seven sisters who escaped a giant's lust to become the calendar of the ancient world. From the mountains of Arcadia to the decks of trading ships, from the birth of Hermes in a Cyllenian cave to the fall of Troy that broke Electra's heart, their story binds earth and heaven in a single thread. Every spring when the cluster rises before dawn, every autumn when it vanishes into the sun's glare, and every time a child counts the seven stars and finds only six, the Pleiades live again. They are the reminder that even the daughters of a Titan may need rescue, and that the gods sometimes answer prayer with fire in the sky.

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Related Entries

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Deity

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Sources & Retellings

Explore the original mythological Source texts (most from over 75 years ago, some as translated, possibly with mature content) and Mythopouch's source Retellings (a modern retelling also suitable for 15+) connected to this mythological entity. We are growing this resource and will link these in the future; for now, check the References below, then find the Sources or Retellings on those pages!

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References

Validation References:

- Hesiod, Theogony (c. 700 BCE) - Lines 346-363, 507-511, 938-939
- Hesiod, Works and Days (c. 700 BCE) - Lines 383-387, 571-572, 615-617
- Apollodorus, Bibliotheca 3.10.1-3 (c. 100-200 CE) - The myth of the Pleiades and Orion
- Ovid, Fasti 4.169-178 (c. 8 CE) - The rising of the Pleiades and their setting
- Gantz, Timothy, Early Greek Myth: A Guide to Literary and Artistic Sources (1993), Johns Hopkins University Press, Vol. 1, pp. 212-215
- Hard, Robin, The Routledge Handbook of Greek Mythology (2004), Routledge, pp. 186-188
- Allen, Richard Hinckley, Star Names: Their Lore and Meaning (1899), Dover reprint 1963, pp. 391-399
- Condos, Theony, Star Myths of the Greeks and Romans: A Sourcebook (1997), Phanes Press, pp. 144-148

Cultural Context Notice 

Mythology developed across different cultures, periods and traditions, and there is rarely one universally accepted version of a story. Mythopouch approaches these traditions with respect while remaining faithful to the complexity of the surviving material. Retellings and educational content may interpret or adapt historical sources, but are not presented as definitive accounts of any culture, religion or belief system.

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