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Greek

Oenomaus

Name in Non-English, or Alternative Name/s

Οἰνόμαος (Oinómaos)

Pronunciation

ee-NOM-ay-us

Also known as, and/or Titles and Roles

The Chariot-Killer, The Father of Hippodamia, The King of Pisa, The Son of Ares, The Murderer of Suitors, The Man Who Feared His Son-in-Law

Oenomaus, a figure from Greek mythology associated with Hippodamia

Mythopouch artistic interpretation

Oenomaus token mark with symbol of spear of the pursuer on Greek style coin

Details

Regional Information Additional (if applicable)

Greek

Region

Category

Person

Historicity (actuality or factual truth of persons, events, and claims)

Legendary

Gender

Male

Time Period

c. 8th century BCE (literary attestation)

Symbol

Spear & Divine Horses

Tags

greek, oenomaus, person, pisa, hippodamia, pelops, chariot-race, myrtilus, ares, olympic-games

Introduction - Overview

Oenomaus is the chariot-killer of Pisa, the king of Elis who murdered eighteen suitors rather than give his daughter Hippodamia to any man, and who died when his own divine horses dragged him to pieces across the rocks of the Olympic plain. He is the son of Ares, the god of war, and the possessor of a team of horses so swift that no mortal steeds could outrun them, a gift from his divine father that made him invincible in the chase and terrible in the kill. He is the father who loved his daughter too possessively, who received an oracle that he would be killed by his son-in-law and who chose murder over surrender, nailing the heads of his victims to the pillars of his palace as trophies of his refusal. He is the king who was betrayed by his own charioteer, Myrtilus, the son of Hermes, who replaced the bronze linchpins of his chariot with wax and sent him to his death in the dust. And he is the founder of the Olympic Games in death, for the contests that would become the greatest athletic festival of the ancient world were established on his grave to commemorate the race that killed him.

Gallery

Main Article - Who or What was...

Oenomaus

Oenomaus was born in Pisa, a city in the region of Elis in the northwestern Peloponnese, the son of Ares, the Olympian god of war, and either the nymph Harpina or the mortal woman Sterope. His divine parentage gave him strength, courage, and a temper that flared as quickly as a spark in dry grass. He inherited the throne of Pisa, a kingdom whose wealth came from the fertile plain of Olympia, the sacred ground where Zeus, the king of the gods, was worshipped with athletic contests that would one day become the most famous games in the Greek world. Oenomaus ruled with justice in most matters, but his love for his daughter Hippodamia was not love but possession, a king's claim upon his child that no suitor could challenge without dying.

 

Hippodamia was his only daughter, and she was beautiful. Princes from across Greece came to Pisa to ask for her hand, drawn by her beauty and by the wealth of her father's kingdom. Oenomaus received them with hospitality, fed them at his table, and then proposed the race. The suitor would drive away from Pisa with Hippodamia in his chariot, and Oenomaus would pursue him in his own war-car, drawn by the divine horses that Ares had given him. If the suitor reached the altar of Poseidon at Corinth before the king caught him, he could marry the princess and claim the throne. If the king caught him, he would die by the spear. The race was not a contest but an execution, for the horses of Ares were faster than any mortal steeds, and Oenomaus was the most skilled charioteer in Greece.

 

Eighteen young men died in this way. Some were princes of great cities, others were warriors of renown, and all of them believed that love or honour or divine favour would carry them to safety. None escaped. Oenomaus caught each one before the halfway mark, drove his spear through their backs, and nailed their heads to the wooden pillars of his palace as trophies. The pile of skulls grew, and the smell of rotting flesh became part of the air of Pisa, a warning to the next fool who thought he could outrun a son of Ares. The suitors stopped coming, and Hippodamia grew old in her father's house, unmarried and unmarriageable, until Pelops arrived.

 

Pelops was different. He was the son of Tantalus, the king who had once been a favourite of the gods and had lost everything through hubris, the dangerous pride that leads mortals to challenge the gods. Tantalus had killed his son Pelops and served him to the gods at a feast, and though the gods had restored Pelops to life, the family was stained with an ancestral guilt that would pursue them for generations. Pelops came to Pisa not merely with courage but with cunning, and he understood that no mortal could defeat Oenomaus in a fair race. He needed help from inside the king's household, and he found it in Myrtilus, the charioteer of Oenomaus.

 

Myrtilus was the son of Hermes, the messenger god whose domain included thieves, travellers, and charioteers, and he was the only man who knew every joint and pin of the king's chariot. Pelops approached him with a bargain: sabotage the chariot, and receive half the kingdom and one night with Hippodamia. Myrtilus agreed. He removed the bronze linchpins that held the wheels to the axle and replaced them with pins of wax, knowing that the heat and friction of the race would melt them and send the chariot to pieces. On the day of the race, Pelops drove away with Hippodamia, and Oenomaus pursued in his sabotaged car. The king's horses were faster, as always, and he was closing the gap when the wax pins began to melt. The wheels came loose, the chariot collapsed, and Oenomaus was thrown from the car and caught in the reins. His own horses, the divine steeds of Ares, dragged him across the rocks of the plain until his body was torn to pieces, and he died cursing Myrtilus and prophesying doom upon Pelops and all his descendants.

 

The curse was fulfilled. Pelops murdered Myrtilus rather than pay him, and the charioteer's dying curse destroyed the house of Pelops for four generations, producing the tragedies of Atreus, Thyestes, Agamemnon, and Orestes. But Oenomaus was not forgotten. Pelops buried him with honours and founded the Olympic Games beside his tomb, establishing the contests that would celebrate the victory and commemorate the dead king. The games were held every four years for more than a thousand years, and the grave of Oenomaus remained one of the most sacred spots in the sanctuary of Olympia, a reminder that even the son of a god cannot outrun a traitor's pin.

Summary

Oenomaus endures as the most terrifying father in Greek mythology, the king of Pisa who turned his daughter's wedding into a slaughter and who died by the treachery he never saw coming. From the divine horses of Ares to the wax linchpins of Myrtilus, from the eighteen skulls on his palace pillars to the Olympic Games founded on his grave, his story is one of love that became murder and invincibility that became dust. A detail worth remembering: the Greeks held their greatest athletic festival on the tomb of a man who had used sport as an instrument of death, and in that irony lies the whole Greek understanding that victory and tragedy are never far apart.

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Related Entries

Hippodamia

Person

Ares

Deity

Myrtilus

Person

Pelops

Person

Poseidon

Deity

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References

Validation References:

- Pindar, Olympian Ode 1.67-93 (c. 476 BCE) - Pelops's victory over Oenomaus and the founding of the Olympic Games
- Apollodorus, Bibliotheca, Epitome 2.4-9 (1st-2nd century CE) - the chariot race, Myrtilus's treachery, and Oenomaus's death
- Diodorus Siculus, Bibliotheca Historica, Book 4.73.1-7 (c. 1st century BCE) - Oenomaus's murder of suitors and Pelops's victory
- Hyginus, Fabulae 84, 253 (c. 2nd century CE) - Oenomaus as son of Ares and father of Hippodamia
- Pausanias, Description of Greece, Book 5.10.6-7, 5.14.6-7 (c. 150 CE) - the tomb of Oenomaus at Olympia and local traditions of the race
- Sophocles, Electra, lines 504-515 (c. 418 BCE) - reference to the curse of the house of Pelops originating in Oenomaus's death
- Timothy Gantz, Early Greek Myth: A Guide to Literary and Artistic Sources (Johns Hopkins University Press, 1993) - comprehensive analysis of the Pelops and Oenomaus tradition
- Francis Vian, Les origines de Thebes: Cadmos et les Spartes (Klincksieck, 1963) - scholarly study of the chariot race and its mythological significance

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