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Greek

Andromache

Name in Non-English, or Alternative Name/s

Ἀνδρομάχη (Andromakhê)

Pronunciation

an-DROM-uh-kee

Also known as, and/or Titles and Roles

Andromakhe, Hector's Wife, The Widow of Troy, Mother of Astyanax, Queen of Epirus

Andromache, a figure from Greek mythology associated with Troy

Mythopouch artistic interpretation

Andromache token mark with symbol of weaving shuttle or the infant Astyanax in her arms on Greek style coin

Details

Regional Information Additional (if applicable)

Greek

Region

Category

Person

Historicity (actuality or factual truth of persons, events, and claims)

Legendary

Gender

Female

Time Period

Heroic Age; first attested in Homer (8th century BCE)

Symbol

Weaving Shuttle & "A"

Tags

greek, andromache, troy, hector, astyanax, achilles, neoptolemus, helenus, iliad, epirus

Introduction - Overview

Andromache is the princess of Cilician Thebe who lost her father, her seven brothers, and her mother to Achilles before she ever set foot in Troy, and who would go on to lose her husband and her son to the same war. She is the wife of Hector, the greatest warrior the Trojans ever fielded, the man who was father, mother, brother, and husband to her all in one. She is the woman who begged Hector not to return to battle, who pointed to the wild fig tree where the wall was weakest and the Greeks pressed hardest, and who watched him walk away knowing she would never see him again. She is the mother of Astyanax, the little boy whom the Trojans called "lord of the city" because his father was its only defence, and whom the Greeks threw from the walls of Troy after the city fell. She is the slave who became a queen twice over, first as the concubine of Neoptolemus, the son of Achilles, and then as the wife of Helenus, Hector's own brother, in a "little Troy" built on the shores of Epirus. And she is the survivor whose descendants ruled Molossia for generations, a Trojan princess whose bloodline outlasted the empire that destroyed her city.

Gallery

Main Article - Who or What was...

Andromache

Andromache was born in Thebe Hypoplacia, the Cilician Thebe that lay beneath the wooded slopes of Mount Placus in Asia Minor. Her father was Eetion, a king rich in gold and bronze, and her mother was a queen whose name the poets did not preserve. She had seven brothers. When the Trojan War was in its ninth year, Achilles, the greatest of the Greek warriors, led a raid against Thebe. He killed King Eetion and all seven of his sons in a single day, burned the city to the ground, and carried off its treasures. He did not despoil Eetion's body but burned it in its armour and raised a barrow over the ashes, a rare act of respect from a man who would later drag Hector's corpse behind his chariot. The mountain nymphs planted elms around the tomb. Andromache's mother was taken captive and ransomed for a great sum, but she died of sickness in Troy before she could return home, struck down by Artemis, the archer-goddess of the hunt. Andromache arrived in Troy a princess without a kingdom, a bride without a family, and was given in marriage to Hector, the eldest son of King Priam and the mightiest defender of the city.

 

The marriage was a love match rare in Greek epic. Andromache bore Hector a son they named Scamandrius after the river that flowed past Troy, though the people called the boy Astyanax, "lord of the city," because his father alone stood between the Trojans and destruction. The most famous scene in all their life together came in the sixth book of the Iliad, when Hector returned to the city to arrange a sacrifice to Athena and found Andromache waiting for him at the Skaian Gates with their son in her arms and a nurse beside her. She took his hand and wept. She told him that Achilles had destroyed her world, that her father and brothers were dead and her mother gone, and that Hector was now her father, her mother, her brother, and her husband all at once. She begged him not to go back to the plain. She pointed to the wild fig tree where the wall was thinnest and where Agamemnon, Diomedes, and Ajax pressed their attack. She asked him to stay and guard that post. Hector smiled at his son, who shrank back from the horsehair crest on his helmet until the father laid it on the ground and kissed the boy. Then he told Andromache what every hero in Greek myth must tell the woman who loves him: he could not hide like a coward. His honour would not allow it. He would rather die fighting than live with shame. He reached for his helmet, the boy laughed, and Hector walked back through the gates to his death.

 

When that death came, Andromache was weaving in her chamber, preparing a warm bath for Hector's return. She heard the wailing from the walls before any messenger reached her. Her knees shook, the shuttle fell from her hand, and darkness covered her eyes. She rushed to the tower and saw Achilles dragging Hector's body behind his chariot, the dust rising around the corpse of the man who had been her whole world. Her lament in the twenty-fourth book of the Iliad is one of the most devastating passages in ancient literature. She did not mourn only her husband. She mourned her son, knowing that without Hector's protection the Greeks would kill Astyanax. She mourned herself, knowing that she would be carried off to Greece as a slave. She mourned the city, knowing that with Hector dead the walls would fall. Every fear she voiced came true.

 

After the Greeks sacked Troy, Andromache was allotted to Neoptolemus, the son of Achilles, as a war prize. The same man whose father had killed her family now owned her body. She bore him at least one son named Molossus, and possibly others. Neoptolemus took her back to Phthia in Thessaly, the kingdom of his grandfather Peleus, and there he married Hermione, the daughter of Menelaus and Helen of Sparta. Hermione had been betrothed to Orestes before the war, and her marriage to Neoptolemus was a political arrangement that left her bitter and jealous. She hated Andromache for bearing Neoptolemus a son while she remained childless, and she plotted with her father Menelaus to murder Andromache and Molossus. Menelaus tricked Andromache into leaving the sanctuary of Thetis where she had taken refuge, but Peleus, the aged father of Achilles, arrived in time to save her and the boy. He drove Menelaus from the land with words of contempt.

 

The end of Andromache's captivity came at Delphi. Neoptolemus had gone there to demand apology from Apollo for the death of his father Achilles, or in some tellings to consult the oracle about his childlessness with Hermione. Orestes, the son of Agamemnon and the former betrothed of Hermione, arranged for assassins to strike Neoptolemus down at the altar. He died, and Hermione fled with Orestes. Andromache was free. But freedom for a Trojan widow meant not a return to her lost city but a new marriage. Helenus, the Trojan seer and brother of Hector, had also been taken from Troy by Neoptolemus. When Neoptolemus died, Helenus inherited part of his kingdom in Epirus. He married Andromache, and together they built a new life on the shores of the Adriatic.

 

In Virgil's Aeneid, the Trojan hero Aeneas, wandering after the fall of Troy, came to Buthrotum in Epirus and found Andromache living with Helenus in a city that was a miniature copy of Troy. She had built a tomb for Hector on a mound of green turf, with twin altars where she poured offerings and wept each year. She had named a stream the Simois after the river of Troy. She had recreated the Skaian Gates in miniature. When she saw Aeneas approaching with Trojan arms, she thought he was a ghost. She asked if Hector was with him. She wept for Astyanax, telling Aeneas that her lost son would have been the same age as Aeneas' son Ascanius. Then she loaded Ascanius with gifts from her loom and told him to take them as last tokens from his kin. Aeneas called their city "a Troy in spirit" and prayed that the bond between their peoples would last for generations. Andromache's "little Troy" had no future, only a past to mourn, but her descendants would rule Molossia for centuries, and one of them, Olympias, would become the mother of Alexander the Great.

Summary

Andromache stands as the supreme portrait of the cost of war on those who do not fight it, the princess who survived three massacres and built a memorial to the dead on foreign soil. From the burning of Cilician Thebe to the dragging of Hector's body, from the fall of Astyanax from the walls to the sanctuary of Thetis in Phthia, from the assassin's blade at Delphi to the "little Troy" of Buthrotum, her life traces the path of a woman who lost everything and refused to forget. Every widow who weaves while she waits, every mother who sees her child in a stranger's son, every refugee who rebuilds a memory of home in a foreign land carries something of Andromache in her. She reminds us that the Iliad is not only a poem of warriors but also a poem of the women who watch them die.

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References

Validation References:

- Homer, Iliad 6.390-502 (8th century BCE) - the farewell scene at the Skaian Gates
- Homer, Iliad 22.437-515 (8th century BCE) - Andromache's discovery of Hector's death
- Homer, Iliad 24.723-776 (8th century BCE) - Andromache's lament over Hector's body
- Euripides, Andromache (c. 425 BCE) - the plot against Andromache and Molossus in Phthia
- Virgil, Aeneid 3.294-505 (1st century BCE) - Aeneas meets Andromache and Helenus at Buthrotum
- Apollodorus, Bibliotheca 3.12.6, Epitome 5.23, 6.12-14 (1st-2nd century CE) - the allotment of Andromache and the death of Astyanax
- Pausanias, Description of Greece 1.11.1-2 (c. 150 CE) - the tomb of Andromache and the Molossian kings
- Hyginus, Fabulae 109, 123 (2nd century CE) - the death of Astyanax and the marriage to Helenus
- Gantz, Timothy, Early Greek Myth: A Guide to Literary and Artistic Sources (1993) - Volume 2, pp. 650-653, 656-657
- Schein, Seth, The Mortal Hero: An Introduction to Homer's Iliad (1984) - pp. 167-175, the Hector-Andromache scene and its significance
- Alexiou, Margaret, The Ritual Lament in Greek Tradition (Cambridge, 1974) - Chapter 2, Andromache's lament and the tradition of women's mourning

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