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Arthurian

Tro the Boar, Twrch Trwyth

Name in Non-English, or Alternative Name/s

(Twrch Trwyth)

Pronunciation

TROH thuh bor

Also known as, and/or Titles and Roles

Twrch Trwyth, Tro the Boar. Trwyth the Boar, Troynt, Troit, Torc Triath (Irish cognate)

The Arthurian monster Twrch Trwyth or Tro the Boar from mythology

Mythopouch artistic interpretation

Details

Region

Arthurian

Regional Information Additional (if applicable)

Tro the Boar or Twrch Trwyth token mark of a boar on Arthurian design coin

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Category

Creature/Monster/Animal

Historicity (actuality or factual truth of persons, events, and claims)

Mythological

Gender

Male

Time Period

c. 829-1100 (literary attestation); legendary setting c. 5th-6th centuries

Symbol

Boar

Tags

arthurian, monster, boar, hunt, ireland

Introduction - Overview

Twrch Trwyth (Tro the Boar) is an enchanted monstrous boar from Welsh Arthurian legend, the greatest monster in the early Welsh Mabinogion and the earliest named adversary associated with King Arthur in written literature. The boar's name literally means "the boar, Trwyth" in Welsh - the creature was originally a king named Trwyth, son of Taredd Wledig, who had been transformed into a swine by divine punishment. He appears first in Nennius's Historia Brittonum (c. 829 CE) in the De Mirabilibus Britanniae ("Wonders of Britain") appendix, where the footprint of Arthur's dog Cabal (Cavall) is described as having been made while chasing the great boar Troynt. The full narrative of the hunt appears in Culhwch and Olwen (c. 1100), the earliest Arthurian tale in the Mabinogion collection and the first written record of King Arthur in a narrative context.

Twrch Trwyth is a monster of terrifying proportions: a gargantuan boar whose poisonous bristles, supernatural speed, and enormous strength make him nearly invincible. Between his ears are hidden three magical implements - a comb, a pair of scissors, and a razor - which are the object of the heroes' quest and the key to completing the impossible tasks set by the giant Ysbaddaden Bencawr.

Gallery

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Main Article - Who or What was...

Tro the Boar, Twrch Trwyth

According to Culhwch and Olwen, the hero Culhwch is cursed by his stepmother to love only Olwen, the daughter of the giant Ysbaddaden Bencawr. The giant sets Culhwch a series of impossible tasks, known as the anoethau, which must be completed before he can marry Olwen. The most difficult of these tasks is obtaining the comb, scissors, and razor from between the ears of Twrch Trwyth (Tro the Boar) - implements needed to cut Ysbaddaden's hair and beard, as the wedding ceremony requires the giant to be properly groomed. Recognizing that the task is beyond any single hero, Culhwch enlists his cousin King Arthur and his entire host of warriors.


Twrch Trwyth and his seven offspring (also enchanted beings) dwell at Esgeir Oerfel in Ireland. Arthur's army sails to Ireland to confront them. The hunt requires extensive preparation: Arthur's dog Drudwyn (the only hound capable of hunting the boar), a special leash, collar, and chain, and the divine youth Mabon ap Modron (the only one who can handle the hound). Menw the shapeshifter is sent ahead in the form of a bird to scout and, if possible, snatch the treasures from between the boar's ears. Menw is wounded merely by the boar's venomous bristles, demonstrating the creature's deadly nature.


Arthur's forces fight Twrch Trwyth for nine days and nights in Ireland but fail to kill him or retrieve the treasures. The boar and his seven offspring then swim across the sea to Wales, landing at Porth Cleis in Dyfed. What follows is a devastating rampage across south Wales, during which Twrch Trwyth kills cattle, destroys villages, and slays many of Arthur's finest warriors. The hunt passes through Dyfed and Ceredigion, between the Tawe and Ewias rivers, and to the Severn Estuary. Among the fallen are Gwarthegyd son of Kaw, Tarawc of Allt Clwyd, and even Arthur's own son Gwydre.


At the Severn, Arthur and his champions corner Twrch Trwyth in the water. Mabon ap Modron spurs his horse into the river and seizes the razor. Cyledyr the Wild takes the shears. Before they can retrieve the comb, Twrch Trwyth finds the riverbed with his feet and bolts away. The retrieval of these two treasures comes at terrible cost: Cacamwri is dragged under by millstones, and Osla Big-knife loses his weapon and nearly drowns.


Twrch Trwyth's physical description in the tale emphasizes his monstrous nature. He is gargantuan in size, far larger than any natural boar, capable of ravaging "a third of Ireland" in his destructive rampages. His bristles are "like sharpened iron" and release venom when shaken, inflicting lasting wounds. His tusks "gleamed like burnished silver." He can outpace horses, dogs, and even magical pursuers, and he can swim across seas. His seven offspring - Grugyn Silver Bristle, Llwydawg the Killer, Twrch Llawin, Gwys, Banw, Benwig, and one unnamed - are each nearly as dangerous as their father.


The hunt continues to Cornwall, where Twrch Trwyth makes his last stand. Arthur himself engages the boar in direct combat. Eventually, the comb is wrested from him, and Twrch Trwyth - wounded, alone (his seven offspring all slain), and enraged - leaps into the sea at Land's End and disappears into the depths, pursued by Arthur's hounds Aned and Aethlem. He is never seen again. Unlike most monsters in heroic literature, Twrch Trwyth is not killed; he escapes into the ocean, symbolizing the indomitability of nature and wilderness.


The Irish cognate Torc Triath ("Boar King of the Otherworld") appears in the Lebor Gabála Érenn (Book of Invasions), suggesting a shared Insular Celtic mythological tradition of an enchanted boar of supernatural significance. Archaeological evidence of Celtic pig cults includes ritual deposits of pig bones in sanctuaries and graves from the Iron Age, indicating the deep cultural significance of the boar in Celtic religion.

Summary

Twrch Trwyth (Tro the Boar) is the greatest monster of early Welsh Arthurian literature and the earliest named adversary associated with King Arthur in any written source. The hunt for this enchanted boar, spanning nations and costing many lives, serves as the climax of Culhwch and Olwen and represents the ultimate test of Arthur's warrior band. Twrch Trwyth's escape into the sea - rather than death at the heroes' hands - makes him unique among Arthurian monsters and symbolizes the enduring power of untamed nature. His place in the earliest Arthurian narrative ensures his significance in the study and understanding of Arthurian origins.

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Tro the Boar, Twrch Trwyth

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Related Entries

Olwen

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Arthur (King)

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Ysbaddaden

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Mabinogion

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Sources & Retellings

Explore the original mythological Source texts (most from over 75 years ago, some as translated, possibly with mature content) and Mythopouch's source Retellings (a modern retelling also suitable for 15+) connected to this mythological entity. We are growing this resource and will link these in the future; for now, check the References below, then find the Sources or Retellings on those pages!

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References

Validation References: 1. Nennius, Historia Brittonum, c. 829 CE - first mention of Twrch Trwyth as Troynt 2. Culhwch and Olwen, c. 1100 - full narrative of the hunt; Mabinogion 3. Bromwich, Rachel, and Evans, D. Simon, Culhwch and Olwen (University of Wales Press, 1992) 4. Lebor Gabála Érenn - Irish cognate Torc Triath 5. Carey, John, "The Irish National Origin-Legend," Cambrian Medieval Celtic Studies 6. Green, Miranda, Animals in Celtic Life and Myth (Routledge, 1998) 7. Padel, O.J., Arthur in Medieval Welsh Literature (University of Wales Press, 2000) 8. Sims-Williams, Patrick, "The Early Welsh Arthurian Poems," in The Arthur of the Welsh (University of Wales Press, 1991)

Cultural Context Notice 

Mythology developed across different cultures, periods and traditions, and there is rarely one universally accepted version of a story. Mythopouch approaches these traditions with respect while remaining faithful to the complexity of the surviving material. Retellings and educational content may interpret or adapt historical sources, but are not presented as definitive accounts of any culture, religion or belief system.

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