Arthurian
Lludd, son of Beli Mawr
Name in Non-English, or Alternative Name/s
Lludd ap Beli; Llud; Lud in related British chronicle tradition
Also known as, and/or Titles and Roles
King Lludd, Lludd ap Beli, King of Britain in Lludd and Llefelys

Mythopouch artistic interpretation
Details
Region
Arthurian
Regional Information Additional (if applicable)

Welsh / Brittonic legendary history / Lludd and Llefelys / Brut tradition
Category
Person
Historicity (actuality or factual truth of persons, events, and claims)
Legendary
Gender
Male
Time Period
Legendary pre-Roman British setting; earliest surviving Lludd and Llefelys text c. 1225-1250 CE, with older traditional elements
Symbol
Crown & Whispers
Tags
lludd, lludd-son-of-beli-mawr, llefelys, coraniaid, dinas-emrys, three-plagues, welsh-legend, mabinogion, british-legend
Introduction - Overview
Lludd, son of Beli Mawr, is the legendary king of Britain at the centre of the Middle Welsh tale Lludd and Llefelys. The story makes him the eldest son of Beli Mawr and brother of the wise Llefelys, who becomes king of France. During Lludd's reign Britain is struck by three plagues: the Coraniaid, who know any words the wind carries; a terrible May Eve scream caused by two fighting dragons; and a magician who steals the royal provisions after enchanting the household to sleep. Lludd crosses the sea to seek Llefelys's counsel, then returns to Britain and ends each affliction exactly as instructed. Medieval Welsh tradition also connects his name with the British king Lud of chronicle tradition, but the relationship between Lludd ap Beli and the separate figure Lludd Llaw Eraint should not be treated as a settled identity.
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Main Article - Who or What was...
Lludd, son of Beli Mawr
The earliest surviving version of Lludd and Llefelys is preserved with the Welsh Brut tradition in the thirteenth-century Llanstephan 1 manuscript, while later witnesses occur in the Red Book of Hergest and fragmentarily in the White Book of Rhydderch. The tale itself calls Lludd and Llefelys sons of Beli Mawr ap Manogan. Lludd inherits Britain, rules prosperously and is said to rebuild the walls of London, which the story calls Caer Lludd. Those London details show knowledge of the British chronicle tradition, while other elements of the tale, especially the Coraniaid and the buried dragons, are generally regarded as preserving older Welsh material.
The first plague is the Coraniaid. Their extraordinary knowledge makes ordinary resistance impossible because any conversation touched by the wind becomes known to them. Lludd therefore sails to consult Llefelys in secrecy. The brothers meet at sea and try to speak through a long bronze horn so their words will not reach the wind. A demon inside the horn twists their speech into hostile words until Llefelys washes it out with wine. Once they can speak safely, Llefelys explains how the Coraniaid can be destroyed with water in which special insects have been crushed.
Lludd returns to Britain, summons his own people and the Coraniaid to a supposed peace conference and casts the prepared water over everyone. The mixture kills the Coraniaid while leaving the Britons unharmed. The Welsh Triads also remember the Coraniaid as the first of the Three Oppressions, although the earliest surviving triadic text names Caswallon son of Beli where later discussion connects the episode with Lludd. The variation is a useful reminder that the medieval Welsh traditions did not always preserve one perfectly fixed genealogy.
The second plague is a scream heard over every hearth on May Eve. Llefelys explains that two dragons are fighting, one associated with Lludd's people and one with a foreign people. Lludd measures Britain and finds its centre at Oxford, where he places a cauldron of mead beneath a silk covering. The fighting creatures eventually fall in the form of two pigs, drink the mead and sleep. Lludd wraps them in the covering and buries them in a stone coffer at Dinas Emrys in Eryri. A later Welsh triad treats the burial as one of Britain's great concealments. The famous red and white colour symbolism belongs to the later dragon story associated with Vortigern and should not be read back into Lludd and Llefelys itself.
The final plague is the disappearance of the king's food and drink. Llefelys identifies the thief as a powerful magician who sends everyone to sleep through enchantment. Lludd keeps himself awake with cold water, catches a huge armed man carrying the provisions away in an enormous hamper and defeats him in combat. The defeated thief promises restitution, swears never to repeat the offence and becomes Lludd's loyal man. The tale closes with Lludd ruling Britain in peace after all three plagues have ended.
Lludd ap Beli is often combined in modern mythography with Lludd Llaw Eraint, the Silver-Handed Lludd named as Creiddylad's father in Culhwch and Olwen, and with Nudd, Nuada and the Romano-British god Nodens. That comparison has an important history in Celtic scholarship, but it should not be converted into a certain medieval family tree. P. C. Bartrum treats Lludd ap Beli and Lludd Llaw Eraint separately and notes that Welsh literature itself does not establish the proposed Lludd-Nudd identification. For Mythopouch, this record therefore concerns the king in Lludd and Llefelys rather than the separate Silver-Hand figure.
Summary
Lludd, son of Beli Mawr, endures as the legendary British king who ends the Three Plagues with the counsel of his brother Llefelys. He destroys the all-hearing Coraniaid, traps two fighting dragons in mead and buries them at Dinas Emrys, then defeats the magician stealing his court's provisions. The tale also makes him a ruler associated with Caer Lludd and the British chronicle tradition. Modern writers often merge him with Lludd Llaw Eraint and Nudd, but the medieval evidence does not require that identification, so the Silver-Hand tradition is kept separate here.
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Lludd, son of Beli Mawr
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Sources & Retellings
Explore the original mythological Source texts (most from over 75 years ago, some as translated, possibly with mature content) and Mythopouch's source Retellings (a modern retelling also suitable for 15+) connected to this mythological entity. We are growing this resource and will link these in the future; for now, check the References below, then find the Sources or Retellings on those pages!
References
Validation References:
- Anonymous, Cyfranc Lludd a Llefelys, earliest surviving version in Llanstephan 1, c. 1225-1250, with later Red Book of Hergest and White Book of Rhydderch witnesses - the Three Plagues, Llefelys's counsel, the Coraniaid, the dragons and the magician.
- Lady Charlotte Guest, trans., Lludd and Llefelys in The Mabinogion - public English witness of the tale: https://www.roman-britain.co.uk/classical-references/welsh-celtic-literature/the-mabinogion/lludd-and-llefelys/
- P. C. Bartrum, A Welsh Classical Dictionary, entries Lludd and Llefelys and Lludd Llaw Ereint, pp. 474-475 - manuscript history, Three Plagues and caution over Lludd/Nudd identification: https://www.library.wales/fileadmin/docs_gwefan/new_structure/discover/digital_exhibitions/printed_material/welsh_classical_dictionary/07_H-LL.pdf
- Rachel Bromwich, Trioedd Ynys Prydein: The Welsh Triads, revised edition, Triads 36 and 37 and notes - the Coraniaid among the Three Oppressions and the dragons among the concealments.
- Sioned Davies, trans., The Mabinogion (Oxford University Press, 2007), Lludd and Llefelys - modern scholarly translation and notes.
- Historia Brittonum, chapters 40-42 - later Dinas Emrys dragon tradition whose red and white symbolism should be distinguished from the uncoloured dragons in Lludd and Llefelys.
- Geoffrey of Monmouth, Historia Regum Britanniae, Book III - the related King Lud tradition and legendary rebuilding and naming of London.
Cultural Context Notice
Mythology developed across different cultures, periods and traditions, and there is rarely one universally accepted version of a story. Mythopouch approaches these traditions with respect while remaining faithful to the complexity of the surviving material. Retellings and educational content may interpret or adapt historical sources, but are not presented as definitive accounts of any culture, religion or belief system.














