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Arthurian

Caw of Pictland

Name in Non-English, or Alternative Name/s

Caw o'r Prydyn (Welsh), Kaw of Brydyn (Welsh variant), Caw of Scotland

Pronunciation

KAW of PIKT-land

Also known as, and/or Titles and Roles

The Pictish Warlord, the Father of Twenty Sons, the Giant of Strathclyde, the Barber of Ysbaddaden, the Progenitor of Saints, the Lord of Mount Bannauc

Caw of Pictland, a figure from Arthurian legend associated with Arthur

Mythopouch artistic interpretation

Caw of Pictland token mark with symbol of tusk of Ysgithyrwyn fashioned into a razor on Arthurian style coin

Details

British / Celtic

Regional Information Additional (if applicable)

Arthurian

Region

Category

Person

Historicity (actuality or factual truth of persons, events, and claims)

Legendary

Gender

Male

Time Period

5th-6th centuries CE (mythic period); literary tradition c. 1100 CE

Symbol

The tusk of Ysgithyrwyn fashioned into a razor, the hatchet that split the boar's head

Tags

arthurian, caw, person, pictland, culhwch-and-olwen, ysgithyrwyn, ysbaddaden, gildas

Introduction - Overview

Caw of Pictland is the Pictish warlord who rode at King Arthur's side during the greatest hunt in Welsh legend, the father of twenty sons and one daughter whose descendants include both saints and the fiercest warriors of Arthurian tradition. He is the giant of Strathclyde, a figure so formidable that the chief giant Ysbaddaden would accept no other barber to shave his beard, flesh, and skin down to the bone. He is the warrior who mounted Arthur's own mare Llamrei and swung a hatchet to split the head of Ysgithyrwyn Chief Boar, claiming the white tusk that would become the razor of a giant. He is the father of Gildas, the monk whose pen condemned Britain's kings, and of Hueil, the battle-diademed warrior who defied Arthur himself and died by the king's hand. And he is the progenitor of a Pictish dynasty so vast that the Welsh Triads name him as the father of a line of saints, a reminder that the northern wilderness beyond Hadrian's Wall produced not only raiders but also the holy men who converted the Britons.

Gallery

Main Article - Who or What was...

Caw of Pictland

Caw was born in the Old North, in the land the Welsh called Prydyn and later generations called Pictland, a realm of misted mountains and tribal kingdoms that lay beyond the crumbling Roman frontier. His seat was in the region of Alt Clut, the kingdom of the Rock that would later be known as Strathclyde, near the peaks of Mount Bannauc in the Cathkin Hills south-east of modern Glasgow. The 11th-century Life of Saint Cadog places his dwelling near this horn-shaped ridge, and the landscape of those hills - steep, wooded, and haunted by the remnants of older peoples - shaped the man who would become one of Arthur's most trusted northern allies. In the Life of Saint Caradog, Caw is described as a giant and regarded as a saint, a dual nature that reflects the borderland between pagan heroism and the Christian tradition of making saints in which he lived. He was a craftsman as well as a warlord, a man whose skill with his hands earned him the wealth and standing to raise a vast family in an age when most chieftains counted their followers in dozens rather than scores.

 

The defining episode of Caw's life belongs to the tale of Culhwch and Olwen, the oldest surviving Arthurian romance, written down in the late 11th century but preserving traditions far older. Culhwch, a cousin of King Arthur, fell in love with Olwen, the daughter of Ysbaddaden Chief Giant, a creature so vast that his eyelids had to be propped up with forks. Ysbaddaden set Culhwch forty impossible tasks, or anoethau - a Welsh word for trials that no mortal should face - as the price for his daughter's hand. Among them was the procurement of a tusk from Ysgithyrwyn Chief Boar, a beast whose white tusk was the only implement sharp enough to shave the giant's beard. But Ysbaddaden declared that he would accept the tusk from no man except Caw of Pictland. Culhwch therefore had to travel to the northern wilderness and convince Caw to leave his kingdom, cross the breadth of Britain, and serve as the giant's barber.

 

The hunt for Ysgithyrwyn was one of the most terrible undertakings in all Arthurian legend. Arthur himself led the chase, accompanied by his warriors, his hounds, and Caw mounted upon Arthur's own mare Llamrei. The boar was a monster of the ancient woods, a creature that had eluded every hunter who pursued it. When the beast was finally cornered, it was not the hounds that Ysbaddaden had named that brought it down, nor Odgar son of Aedd the king of Ireland who had been prophesied as the only man who could draw the tusk from the living boar. Instead, Caw of Pictland rode forward on Llamrei, raised a hatchet, and split the boar's head in two halves with a single terrible blow. He claimed the tusk and carried it to Ysbaddaden's fortress, where he personally shaved the giant's hair, flesh, and skin down to the bone, and both ears completely, fulfilling the task that no other man could perform. The violence of that shaving - the razor of a boar's tusk peeling a giant's face - is one of the most visceral images in Welsh storytelling, and Caw stands at its centre.

 

Caw's service to Arthur extended beyond the boar hunt. When Arthur sought the blood of the Very Black Witch, daughter of the Very White Witch, from the Head of the Valley of Grief in the Uplands of Hell, Caw accompanied the expedition. Arthur killed the hag with Carnwennan his little knife, striking her until she was as two tubs, and Caw collected her blood and kept it with him. These two acts - the shaving of the giant and the collecting of the witch's blood - mark Caw as Arthur's man of grim necessities, the warrior who did not flinch from the monstrous tasks that other knights found beneath their honour. He brought his entire brood to Arthur's court, a host in themselves, and the court list in Culhwch and Olwen names them all: Angawdd, Ardwyad, Calcas, Celyn, Coch, Conyn, Cynwal, Cywyllog, Dirmyg, Edmyg, Ergyryad, Gildas, Gofan, Gwarthegydd, Gwenabwy, Gwyngad, Hueil, Llwybyr, Iustig, Mabsant, Meilyg, and Neb. Among them, Gildas would become the most famous, the monk who wrote De Excidio et Conquestu Britanniae, the furious sermon that condemned Britain's kings for their sins. Hueil, the eldest, would become Arthur's rival, a warrior so proud that he never submitted to a lord's hand, who led raids from Scotland into Arthur's territory and was eventually pursued and killed by the king himself on the Isle of Man.

 

The Welsh Triads remember Caw as the father of a line of Pictish saints, a tradition that connects the warlord of the north to the Christianisation of Britain. The Triads, those mnemonic catalogues of Welsh heroic lore compiled in the 13th century but drawing on far older material, name him in Triads 21, 81, and 96 as the progenitor of holy men. This saintly lineage sits uneasily beside the figure who swings a hatchet at a boar's skull and shaves a giant to the bone, but it reflects the complex reality of the Arthurian Age, in which the same northern warlords who raided Romano-British towns also sheltered the monks who preserved learning through the dark centuries. Caw's daughter Gwenabwy married Llwydeu son of Nwython and bore Gwydre, a figure who may be identical with Arthur's own son of the same name, suggesting a web of kinship between the Pictish house and the royal line of Camelot that the later French romances would forget but the Welsh tradition never did. In the end, Caw of Pictland stands as the bridge between the historical Picts of the Old North and the mythic world of Arthur, a craftsman-warlord whose sons carried his name into every corner of British legend.

Summary

Caw of Pictland endures as one of the most formidable fathers in Arthurian legend, the Pictish warlord whose hatchet split the head of Ysgithyrwyn and whose razor shaved the face of a giant. From the peaks of Mount Bannauc to the court of King Arthur at Celliwig, from the hunt for the Chief Boar to the collection of the Black Witch's blood, his story is the reminder that the northern wilderness beyond the Wall produced warriors as terrible as any monster they faced. He is the ancestor of Gildas the monk and Hueil the rebel, of saints and giants, and his children stand as testament to a dynasty that shaped the Arthurian world from its Welsh foundations.

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Related Entries

Gildas

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Ysbaddaden

Giant

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References

Validation References:

- Anonymous, Culhwch and Olwen, c. 1100 (Red Book of Hergest and White Book of Rhydderch versions) - primary source; the hunt for Ysgithyrwyn, Caw as Ysbaddaden's barber, the collection of the Black Witch's blood, and the court list naming Caw's twenty sons
- Caradoc of Llancarfan, Vita Gildae (Life of Saint Gildas), c. 1130 - primary source; the death of Hueil son of Caw at Arthur's hand on the Isle of Man
- Anonymous, Life of Saint Cadog, 11th century - primary source; Caw's dwelling near Mount Bannauc in the Cathkin Hills
- Anonymous, Life of Saint Caradog - primary source; Caw described as a giant and regarded as a saint
- Welsh Triads (Trioedd Ynys Prydein), 13th century manuscripts (Peniarth 16, Red Book of Hergest, White Book of Rhydderch) - primary source; Triads 21, 81, and 96 naming Caw as father of Pictish saints
- Bromwich, Rachel, Trioedd Ynys Prydein: The Welsh Triads (University of Wales Press, 1961; 2nd ed. 1978; 3rd ed. 2006) - scholarly edition and commentary; the court list of Culhwch and Olwen, Caw's genealogy, and the identification of his sons
- Bromwich, Rachel, and Evans, D. Simon, Culhwch and Olwen (University of Wales Press, 1992) - scholarly edition with commentary; Caw's role in the boar hunt, the shaving of Ysbaddaden, and the textual variants of Caw's name
- Padel, O.J., "The Cornish Background of the Tristan Stories," Cambridge Medieval Celtic Studies 4 (1981) - scholarly study providing context for Arthurian characters of the Old North
- Charles-Edwards, T.M., Wales and the Britons 350-1064 (Oxford University Press, 2013) - scholarly historical analysis of the Pictish and Brittonic interactions in the Arthurian period
- Loomis, Roger Sherman, The Development of Arthurian Romance (Hutchinson, 1963) - scholarly analysis of Welsh Arthurian traditions and the evolution of characters from historical figures to romance heroes

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