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Arthurian

Lady Tryamour

Name in non-English

Dame Tryamour, Triamour, Tryamoure

Pronunciation

LAY-dee TRY-uh-moor

Also known as

Daughter of the King of Olyroun, The Fairy Queen of the Occident, The Mistress of the Pavilion, The Lady of the Ermine Banner, The Breath That Blinds, The Avenger of Broken Oaths

The fairy princess Lady Tryamour from Arthurian legend, also known as the Fairy Queen of Olyroun
Lady Tryamour token mark of a queen fairy crown on Arthurian style coin

Details

British

Region Additional (if applicable)

Arthurian

Region

Category

Spirit

Gender

Female

Time Period

12th-14th century (Marie de France's Lanval c. 1170-1210; Thomas Chestre's Sir Launfal late 14th century)

Symbol

Fairy queen crown

Tags

arthurian, tryamour, fairy, launfal, guinevere, olyroun, avalon, occident

Introduction

Lady Tryamour is the fairy princess whose beauty outshone Queen Guinevere so that a single breath from her lips struck the queen blind, a punishment delivered in the full sight of King Arthur and every knight of the Round Table. She is the daughter of the King of Olyroun, the sovereign of all the fairies of the Occident, the western realm beyond the mortal world, a kingdom of eternal summer where the wounded are healed and the old grow young. She is the mistress who rescued Sir Launfal, the impoverished steward of Arthur's court, from despair, offering him a magical purse that never emptied, a white horse named Blaunchard swifter than any mortal steed, an invisible dwarf servant named Gyfre, and armour that no weapon could pierce. She is the lover who demanded absolute secrecy as her price, warning that a single spoken word about her existence would shatter every enchantment forever. And she is the lady who rides out of the sky on a white palfrey to save her knight from the gallows, proving that in the fairy realm, love is a contract written in silence and sealed with power that no mortal court can match.

Gallery

Who or What was...

Lady Tryamour

Tryamour was born to the King of Olyroun, the ruler of all the fairies of the Occident. She dwelt in a realm where time moved differently and pleasures knew no end. Though she could have taken any lover from the ranks of kings, she chose Sir Launfal, a knight of the Round Table who had fallen from grace through reckless generosity. She watched him ride alone into the forest near Caerleon, the Roman fortress town in Wales, his heart heavy with poverty after Queen Guinevere had humiliated him at the wedding feast of King Arthur, the legendary king of Britain.


On a hot summer day, Tryamour sent two maidens to find the despairing knight. They led him to a clearing where a pavilion of silk stood, its crystal pommels and burnished gold eagle shining like a jewel no mortal king could own. Inside, on a bed of purple linen, lay Tryamour herself. She was white as a lily in May, her hair shining like threads of gold, her complexion so lovely that the red rose newly blown would pale beside her. She greeted Launfal as her darling and offered a bargain that would bind them together and test his honour to its limit.


The gifts she gave were the treasures of a fairy queen. She gave him a purse of silk that always refilled with gold, her white horse Blaunchard of supernatural speed, her invisible dwarf servant Gyfre, and armour that no weapon could pierce. She granted him a banner bearing her arms of three ermines, the stoat-like creatures whose white winter coats marked royal purity. But the condition was absolute. He must never speak of her to any mortal soul, must keep their love secret, and never boast of her beauty. If he broke this silence, she warned, every enchantment would vanish in that same instant.


For seven years the bargain held. Tryamour came to Launfal whenever he wished, invisible to others, and her gifts made him the most celebrated knight in Britain. But at a feast in Arthur's court, Guinevere approached him with slander. When he refused her advances, she accused him of cowardice. Launfal, burning with pride, forgot his promise and declared that even the least of Tryamour's maidens was fairer than the queen. The magic shattered. Tryamour withdrew, the purse emptied, the horse vanished, and Gyfre fell silent. Arthur ordered Launfal to stand trial for treason against the queen's honour, giving him a year and a day to produce his lady as proof or face the gallows. The months passed and Tryamour did not come, for the fairy world punishes broken faith with merciless precision.


On the final day, with rope prepared, Launfal stood condemned. Then a trumpet sounded. Tryamour rode into the hall on a white palfrey, attended by ten maidens of radiance that the torches seemed dim. She declared that Launfal had never offered shameful love to the queen, that Guinevere had solicited him, and that every word about her was true. The queen paled beside her as the moon before the sun. Then Tryamour blew upon Guinevere's face a breath of fairy power, striking her blind. She leaped to her horse, Gyfre appeared with Blaunchard, and she led Launfal from the hall forever. They rode to the fairy isle of Olyroun, a land some call Avalon, where Launfal lives in immortal joy. Yet once each year, his horse may be heard neighing and his armour seen flashing, and any knight seeking a worthy opponent may find his match with the steward who learned that a fairy queen's love cannot survive a boastful tongue.

Summary

Lady Tryamour stands as a powerful fairy mistress in Arthurian romance, the daughter of a king who rules beyond mortality and enforces contracts with a justice swifter than any mortal court. From the pavilion of purple linen to the breath that blinded a queen, from the purse that never emptied to the banner of three ermines, she embodies the fairy world's demand for secrecy and its power to punish betrayal. Every tale of a mortal taken to fairyland and every warning that magic must never be spoken carries some echo of Tryamour's ancient bargain. She is the reminder that the most beautiful gifts come with the most absolute conditions, and that the fairy realm does not forgive a broken oath.

References

Validation References:
- Marie de France, Lanval (c. 1170-1210) - the original Breton lay, lines describing the fairy mistress, her gifts, the broken vow, and the trial
- Thomas Chestre, Sir Launfal (late 14th century) - Middle English romance, lines describing Tryamour's pavilion, her breath that blinds Guinevere, and the departure to Olyroun
- Sir Landevale (14th century) - earlier Middle English version of the Lanval story
- Burgess, Glyn S. and Keith Busby (trans.), The Lais of Marie de France (Penguin Books, 1986) - introduction and translation of Lanval
- Laskaya, Anne and Eve Salisbury (eds.), The Middle English Breton Lays (Kalamazoo: Medieval Institute Publications, 1995) - critical edition and introduction to Sir Launfal
- Loomis, Roger Sherman, The Development of Arthurian Romance (Hutchinson's University Library, 1963) - chapter on Breton lays and fairy mistresses
- Putter, Ad and Jane Gilbert (eds.), The Spirit of Medieval English Popular Romance (Pearson Education, 2000) - analysis of fairy women and their role in medieval romance
- McLoone, Katherine, "Politics, Miscegenation, and Translatio in Two Lays of Lanval" (JSTOR, 2011) - scholarly analysis of Tryamour's role and the fairy mistress tradition

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